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    Sharlto Copley Discusses New Film, ‘Free Fire’

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    (L-R) Babou Ceesay, Brie Larson, Armie Hammer, Sharlto Copley and Noah Taylor in Free Fire. Photo by Kerry Brown. Courtesy of A24.

    In new film Free Fire, Brie Larson’s character Justine sums up Sharlto Copley’s Vernon quite succinctly: “He was misdiagnosed as a child genius and he never got over it.”

    Larson and Copley join a motley crew of misfits in British filmmaker Ben Wheatley’s lastest film for a slapstick shootout during an arms deal gone awry. The story takes place in an abandoned Boston warehouse in the 1970s, a decade that sets the tone, mood and cinematography of Free Fire – think incandescent lighting, gold jewelry and wide lapels.

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    Acting Students Bring Nuance and Range to 'Almost, Maine'

    The play charts the emotional ups and downs of love in its many forms

    For one weekend in March, the Northern Lights, 12-degree temperatures and wrenching emotional climaxes overtook an intimate theater space at 466 Townsend. From March 17–19, the room hosted the School of Acting graduate performance of the John Cariani play Almost, Maine, directed by Lena Hart.

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    Funny, intimate 'Detroit' coming to Sutter Street Theatre

    Sometimes small encounters can be life altering. And motivation to make a big change can come from a stranger. This is true for the two couples in the play Detroit, which Academy of Art University’s School of Acting is presenting in April. 

    Written by Lisa D’Amour, Detroit won an Obie Award for Best New American Play in 2013 and was a Pulitzer Prize finalist. The story revolves around two very different couples who live next door to each other in an unnamed suburb near a midsize American city. In the play, Mary and Ben host their new neighbors, Sharon and Kenny, at a backyard barbecue. Detroit explores suburban angst related to upward mobility, spousal relationships and economic anxiety.

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    Ready, Roll, Cut: Linda Dahlem

    Originally from Luxembourg, Academy of Art University alumna Linda Dahlem graduated in Fall 2015 after studying directing in the School of Motion Pictures & Television.

    Before arriving at the Academy, Dahlem was working and studying film in Berlin at a small private school. After inquiring about a job in the art department, a production designer went out of their way to explain how things worked to her. “She put so much trust in me, I felt like I could do anything,” Dahlem shared.

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    Bay Area Writer Daniel Clowes Talks 'Wilson'

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    (L-R): Woody Harrelson, Writer Daniel Clowes and Director Craig Johnson on the set of Wilson. Photo by Wilson Webb. © 2017 Twentieth Century Fox Film Corporation. All Rights Reserved.

    When life hands you lemons, sometimes the lemonade turns out sour. In Wilson, a film adapted from comic book writer Daniel Clowes’ graphic novel of the same name, the titular character (played by Woody Harrelson) brushes through his days sowing the seeds of his cynicism. After his father dies and his only friend moves away, Wilson faces a rude awakening when he realizes how lonely he truly is and seeks to fill the hole his own grouchy tendencies dug for himself.

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    Director Draws on His Love for Old School Animation in 'The Boss Baby'

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    (L–R) Elham Sepehrjou, Allison Freeman, Ramsey Ann Naito (producer of The Boss Baby), Gaby Rojo, Fernando Penafiel, Leo Quert, and (in front) Tom McGrath (director of The Boss Baby). Photo courtesy of Fernando Penafiel.

    Director Tom McGrath and producer Ramsey Naito won’t be offended if you think their latest animated comedy, The Boss Baby, looks like a throwback to an old Disney movie. They’ll take it as a compliment. McGrath and Naito were recently at 620 Sutter Street to show a large group of animation students clips from The Boss Baby and talk about making the DreamWorks Animation film. They also shared information about their backgrounds and offered advice for students hoping to launch a career in animation.

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