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Arts & Entertainment

    Running Through the Gamut

    Students get a taste of different filmmaking disciplines in Jana Memel’s MPTV 234 class

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    (L–R) Actors Alea Mosley and Ignacio Lopez and students Xiuzhu “MiMi” Guo, Marcus Vaughn, Qiang “Celine” Guo, Bryan Wilks film a scene for Blood Money, an MPTV 234 project. Photo by Nina Tabios.

    Shoot day was going well for Cyrus Esfandiari and his group up until about 3 p.m. on April 11, right when their three-hour shoot window was starting to close. At the peak of crunchtime, their camera started malfunctioning: The SLR wasn’t reading the SD cards correctly and batteries were faulty. In a last-ditch effort, director Marcus Vaughn whipped out his smartphone and recorded the last scenes to his mobile device as time ticked away.

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    Elle Woods Set to Win Hearts in School of Acting's 'Legally Blonde'

    Senior acting major India Jarvis to portray the iconic and savvy law student

    It’s hard to resist Elle Woods, the perky sorority girl with a fondness for pink, who takes Harvard Law School by storm in the musical Legally Blonde. Based on the popular film of the same name, the musical is coming to 620 Sutter Street Theatre in May, courtesy of Academy of Art University’s School of Acting.

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    Ready, Roll, Cut: J.D. Moran

    The MPTV alumnus shares his creative journey to his current post-Academy career

    Alumnus J.D. Moran graduated from Academy of Art University’s School of Motion Pictures & Television (MPTV) in Spring 2014. His talents and skills learned at the Academy, while studying production design, have taken Moran to Cannes, Rome and currently New York City, where he enjoys a career full of creative opportunities. 

    Moran recently spoke with us about his early days at the Academy with the Pre-College Art Experience, how he decided to “squeeze out the most” of his time at school by getting involved and how networking has led to some great opportunities in his post-Academy career.

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    Sharlto Copley Discusses New Film, ‘Free Fire’

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    (L-R) Babou Ceesay, Brie Larson, Armie Hammer, Sharlto Copley and Noah Taylor in Free Fire. Photo by Kerry Brown. Courtesy of A24.

    In new film Free Fire, Brie Larson’s character Justine sums up Sharlto Copley’s Vernon quite succinctly: “He was misdiagnosed as a child genius and he never got over it.”

    Larson and Copley join a motley crew of misfits in British filmmaker Ben Wheatley’s lastest film for a slapstick shootout during an arms deal gone awry. The story takes place in an abandoned Boston warehouse in the 1970s, a decade that sets the tone, mood and cinematography of Free Fire – think incandescent lighting, gold jewelry and wide lapels.

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    Acting Students Bring Nuance and Range to 'Almost, Maine'

    The play charts the emotional ups and downs of love in its many forms

    For one weekend in March, the Northern Lights, 12-degree temperatures and wrenching emotional climaxes overtook an intimate theater space at 466 Townsend. From March 17–19, the room hosted the School of Acting graduate performance of the John Cariani play Almost, Maine, directed by Lena Hart.

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    Funny, intimate 'Detroit' coming to Sutter Street Theatre

    Sometimes small encounters can be life altering. And motivation to make a big change can come from a stranger. This is true for the two couples in the play Detroit, which Academy of Art University’s School of Acting is presenting in April. 

    Written by Lisa D’Amour, Detroit won an Obie Award for Best New American Play in 2013 and was a Pulitzer Prize finalist. The story revolves around two very different couples who live next door to each other in an unnamed suburb near a midsize American city. In the play, Mary and Ben host their new neighbors, Sharon and Kenny, at a backyard barbecue. Detroit explores suburban angst related to upward mobility, spousal relationships and economic anxiety.

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