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    Fashion Future: Academy of Art University 2017 Graduation Fashion Show

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    Looks from Jiran Xia (B.F.A. fashion design) and Pei-Ling “Ann” Tsai (B.F.A. jewelry & metal arts) during the Graduation Fashion Show finale. Photo by Bob Toy.

    It’s all been leading up to this… 

    In the lives of individuals and communities, there are moments that define history and usher in the future. For students in Academy of Art University’s School of Fashion, that moment is the annual Graduation Fashion Show that brings together faculty, family, friends and industry such as retail executives, fashion and accessory designers, interior designers and recruiters to celebrate the accomplishments of each graduate, and honor their creative vision as they join the ranks of the Academy’s distinguished alumni.

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    Raising the Curtain on Backstage

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    Makeup Lead Stacy Maki and the MAC Artistry Team together with Hair Lead Jon Reyman for Spoke & Weal and Salon Pro RX worked with School of Fashion Executive Director Simon Ungless on the beauty look for the show. Photo by Danielle Rueda.

    Here is one thing I learned from floating backstage at the Academy of Art University 2017 Graduation Fashion Show. Whoever had said “beauty’s only skin deep” was deeply wrong. When it comes to fashion, the idiom does not apply as beauty doesn’t lend itself to quick judgement and is much more than a pretty look. It’s the art of the method; the elaborate process that requires attention to layers of precision and creativity to captivate the audience in an instant.

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    2017 Portfolio Review: A Chance to Impress

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    (L–R) Director of Fashion Gary Miller introducing guest of honor Sarah Mower and her daughter Maisie McCaughley to students during the Portfolio Review. Photo by Bob Toy.

    The warehouse on Jerrold Ave was full of high-energy and nerves on Saturday, May 6, as students of the School of Fashion at the Academy of Art University filed into tables to show off their thesis collections.

    Guests walked down the center aisle to peruse through works from students from a variety of focuses: Fashion Design, Textile Design, Jewelry and Metal Arts, Visual Merchandising, Costume Design, Fashion Merchandising, Fashion Marketing, Fashion Journalism, Technical Design and Styling.

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    Industry Mentors Share Ideas and Wisdom at School of Fashion Panel

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    Panel moderator and School of Fashion Executive Director Simon Ungless, Director of Education and Professional Development for the Council of Fashion Designers of America (CFDA) Sara Kozlowski and Chief Critic of Vogue.com Sarah Mower spoke in front of a packed audience at 625 Polk. Photo by Bob Toy.

    The relationship between fashion and technology and the evolution of the fashion industry figured prominently in the conversation at a panel discussion hosted by the School of Fashion on May 5 at 625 Polk Street. Students packed the room for a chance to hear from panelists Sarah Mower, chief critic for Vogue.com and the British Fashion Council’s ambassador for emerging talent, and Sara Kozlowski, director of educational and professional development for the Council of Fashion Designers of America (CFDA). 

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    Putting Theory to Practice

    Embracing the three H's—head, hands and heart—the School of Art Education has been making its mark on education in the arts with six students from the credential program now teaching at local Bay Area schools

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    Photo by Bob Toy.

    The Academy of Art University prides itself in its mission of “the artists of today teaching the artists of tomorrow." Departments across the university uphold that initiative, but the School of Art Education (ARE) and Teaching Credential Program in the Visual Arts aims to take it a step further in preparing its students to become art educators and inspire a new generation of artists.

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    Running Through the Gamut

    Students get a taste of different filmmaking disciplines in Jana Memel’s MPTV 234 class

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    (L–R) Actors Alea Mosley and Ignacio Lopez and students Xiuzhu “MiMi” Guo, Marcus Vaughn, Qiang “Celine” Guo, Bryan Wilks film a scene for Blood Money, an MPTV 234 project. Photo by Nina Tabios.

    Shoot day was going well for Cyrus Esfandiari and his group up until about 3 p.m. on April 11, right when their three-hour shoot window was starting to close. At the peak of crunchtime, their camera started malfunctioning: The SLR wasn’t reading the SD cards correctly and batteries were faulty. In a last-ditch effort, director Marcus Vaughn whipped out his smartphone and recorded the last scenes to his mobile device as time ticked away.

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